Hello! Just found the site! It seems you and I have a bit of the same mind when it comes to (what I like to call) sound doxology. Give us clean hands and give us pure hearts Give us clean hands, oh God and give us pure hearts Oh God let this be a generation that seeks Oh give us clean hands and give us pure hearts So give us clean hands and give us pure hearts Give Us Clean Hands by Matt Redman and Charlie Hall We bow our hearts, we bend our knees If the message that the church proclaims makes sense without conversion if it does not offend even lifelong believers from time to time, so that they too need to die more to themselves and live more to Christ, then it is not the gospel. The church exists in order to change the subject from us and our deeds to God and his deeds of salvation, from our various "missions" to save the world to Christ's mission that has already accomplished redemption. Michael Horton in Modern Reformation Magazine says It seems that here "the law" isn't so bad and "the gospel" isn't so sweet. Yes, we need the Spirit to make us humble, but first we need Him to regenerate us and give us faith in Christ. And we can have none of this without Christ's death on the cross, his burial and resurrection and our repentance and faith in Him. We are powerless to do all of the good things proposed in the song. This song lacks Christ and Him crucified. Give Us Clean Hands by Matt Redman and Charlie Hall Ht: Anonymous comment from a couple of days ago. 'Downpresserer' consisted of a new performance of the Burns song The Slaves Lament by a group of Jamaican singers and players and also included in the exhibition were five new prints and two new photographs details.: I'M RECONSIDERING WHAT I HAVE SAID IN THE POST BELOW This resulted in a solo exhibition at the Gallery of Modern Art, Glasgow entitled 'Downpresserer' (14 March 2007 - 28th May 2007). This research theme developed further with a British Council funded trip to Jamaica in December 2006, to research and develop new work to mark the 200th anniversary of the abolition of slavery. The work was also exhibited at an invited solo exhibition at Tart Contemporary, San Francisco, USA, February 16th –March 16th 2006. Invited commission by Tramway, Glasgow, funded and supported by Glasgow City Council, the Scottish Arts Council and the British Council. An audio CD, 'The Slaves Lament' was also produced. The bringing together of these two songs alludes to historical and cultural events between Scotland and the West Indies including slavery, Empire and trade, and the cause and effect consequences on contemporary cultural expressions. N1 - This was a fifteen-minute DVD installation which portrayed the performance of two new versions of Robert Burns’ songs: 'The Slave’s Lament' and 'Auld Lang Syne', by reggae singers and players. 'Downpresserer' consisted of a new performance of the Burns song The Slaves Lament by a group of Jamaican singers and players and also included in the exhibition were five new prints and two new photographs details. Note = "This was a fifteen-minute DVD installation which portrayed the performance of two new versions of Robert Burnss Lament' and 'Auld Lang Syne', by reggae singers and players.
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